Damien Wootten is a British documentary and art photographer. Much of his work focuses on the North of England. It is a place that has a rich photographic history and a strong contemporary presence. Damien's work draws from that history, and the wider photographic tradition of recording the land and our place within it. His work, in part, looks at how history and politics are embedded in both our communities and landscape.
The Radical Road recorded streets across England, Scotland and Wales named after past radical and socialist figures. The project was exhibited at Woodhorn Museum and his essay on the project was published in the North East Labour History Journal. His latest project The Killing Ditch, maps the topography of Northumberland and Cumbria, bringing a physical, historical and philosophical context to the Roman Wall ditch.
Past publications include Beyond The Angel, which documented the survival of a family farm on the outskirts of Gateshead - and Northern Refuge, which recorded the experiences of asylum seekers and the work the North of England Refugee Service. The newspaper Waterside was published as part of Damien's Sunderland East End photographic residency (which also included a set of limited edition beermats!). Ostdeutsche Radikale Straßen is a self published book of East German postcards - from Damien's own collection, of streets named after prominent socialists. He has self published a range of limited edition zines, including Bastard Seating, and is currently making his Field Baths zine. Previous exhibitions include Beyond The Angel, On The Verge, Into The Open, The Visitors, Coastal Retreats, Waterside, The Royal Photographic International Print Exhibition 157 - and The Radical Road.
Damien was previously Head of Photography at an FE college on Tyneside. He has worked extensively in the community, working on many research projects, commissions, residencies and collaborations, and lectures in photography at Newcastle University, in the School of Architecture, Urban Planning and Landscape.
He is a director of Banyan Arts, which has an emphasis on wellbeing through creativity. He delivers arts based workshops to a range of groups as diverse as stroke survivors, parents and carers of young people with addictions - and refugee and asylum seekers. Damien runs photography, art and creative writing sessions to encourage well-being, confidence building and rehabilitation through creative expression and togetherness. He regularly delivers workshops at Gateshead Clubhouse - a community mental health hub, working directly with some of those most affected by the mental health impact of isolation and loneliness - and the cost of living crisis.
Damien published Corona Memento Mori in July 2020, through his own publishing imprint Frankie's Field Press. With his images of discarded surgical gloves, Damien offers a philosophical and sociopolitical reading of lockdown's unwanted ephemera. He is currently working on the next FFP publication.
In 2021, Damien had work from his current project The Killing Ditch, selected by The Inside the Outside photography collective, for inclusion in Journal 1: Right to Roam. Last January he exhibited 'Close The Door on Past Dreariness' at Newcastle Arts Centre, which documented the crisis of homelessness on Tyneside.